Abstract

AbstractRabiʿa Balkhi was a princess and poet who, according to medieval accounts, flourished in 10th-century Balkh. She gained wide popularity in 20th-century Afghanistan, where she has been the subject of books, poems, and movies. This article recounts the story of her grave's discovery in the center of Balkh's town park in the 1960s, the emergence of a shrine around it, and its integration with Balkh's landscape of antiquity. Drawing on parallels from across the Muslim world, I argue that Rabiʿa's shrine emerged through a dialogue between state officials and local forms of placemaking. But although initially motivated by nationalist sentiment, the Afghan state lost its ability to define Rabiʿa's life on nationalist terms. As Afghanistan fragmented through war, her shrine survived as a space where her life was constantly reinterpreted and where disputed visions over the nation's past and future played out.

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