Unearthing Ecofeminist Echoes in D.H. Lawrence’s Sons and Lovers

Abstract

This article explores D.H. Lawrence’s autobiographical novel, Sons and Lovers (1913), through the lens of ecofeminism, focusing on the intricate emotional relationships between the protagonist, Paul, his mother, Mrs. Morel, and his two lovers, Miriam and Clara. In the context of the Industrial Revolution’s large-scale mechanization, Lawrence’s work sheds light on the profound environmental consequences of this era on the sustenance of modern human. The narrative further suggests that modern humanity has suffered significant suppression and destruction due to the dominance of mechanical civilization, resulting in a pervasive imbalance between humankind and nature, as well as among different societal groups, particularly in gender relations. Lawrence’s astute portrayal places gender relations on the grand stage of industrial civilization, resonating with the plight of both the natural environment and women who endured oppression under anthropocentrism or patriarchy. This paper adopts an intersectional perspective that simultaneously addresses the human-to-nature issue and the male-to-female issue within the framework of ecofeminism. Its primary objective is to illuminate Lawrence’s endeavor to chart a path for modern humanity’s survival. In doing so, Lawrence advocates for a harmonious equilibrium between societal development and the natural world, alongside the principle of gender equality. This approach embodies the essence of ecofeminism and underscores Lawrence’s profound humanistic concerns.