Understanding the degradation of the blue colour in the wall paintings of Ariadne's house (Pompeii, Italy) by non‐destructive techniques

Abstract

AbstractAriadne's house is in the Regio VII of the Archaeological Park of Pompeii (Italy). As it is exposed to external alteration agents (rainfall, water infiltration and atmospheric pollution), the mural paintings located in this important residence clearly show the effects of ongoing degradation processes. This is especially the case of Room 22 (also called the blue room), where the original blue decorations varied towards greyish green hues. In situ and laboratory spectroscopic analyses by means of non‐destructive X‐ray fluorescence, infrared and Raman spectroscopies identified the original pigments and the materials used in the conservation works. Looking in detail at the stratigraphic distribution of the original pigments, using Raman spectroscopy, an inner layer of Egyptian blue mixed with celadonite was detected under a layer of pure Egyptian blue. This discovery proves the presence of a more ancient painting below the one that can be observed today. Considering that celadonite was an inexpensive pigment (thus, probably used to reduce the costs of the paintings), this information strengthens the hypothesis that based on archaeological evidences, there is evidence of an evolution of the socio‐economic status of the ancient owners of the residence. In addition to that, Raman data also proved the occurrence of salt efflorescences; they provided insights about the compromised conservation state of the wall paintings, and they highlighted the action of atmospheric acid gases as an important factor.