Abstract

Purpose The outbreak of the Coronavirus (COVID-19) pandemic and its preventative social distancing measures have led to a dramatic increase in subscriptions to paid streaming services. Online users are increasingly accessing live broadcasts, as well as recorded video content and digital music services through internet and mobile devices. In this context, this study aims to explore the individuals’ uses and gratifications from online streaming technologies during COVID-19. Design/methodology/approach This research has adapted key measures from the “technology acceptance model” (TAM) and from the “uses and gratifications theory” (UGT) to better understand the individuals’ intentions to use online streaming technologies. A structural equations partial least squares’ confirmatory composite approach was used to analyze the gathered data. Findings The individuals’ perceived usefulness and ease of use of online streaming services were significant antecedents of their intentions to use the mentioned technologies. Moreover, this study suggests that the research participants sought emotional gratifications from online streaming technologies, as they allowed them to distract themselves into a better mood and to relax in their leisure time. Evidently, they were using them to satisfy their needs for information and entertainment. Research limitations/implications This study contributes to the academic literature by generating new knowledge about the individuals’ perceptions, motivations and intentions to use online streaming technologies to watch recorded movies, series and live broadcasts. Practical implications The findings imply that there is scope for the providers of online streaming services to improve their customer-centric marketing by refining the quality and content of their recorded programs and through regular interactions with subscribers and personalized recommender systems. Originality/value This study integrates the TAM and UGT frameworks to better understand the effects of the users’ perceptions, ritualized and instrumental motivations on their intentions to continue watching movies, series and broadcasts through online streaming technologies, during COVID-19.

Highlights

  • Relevant academic literature suggests that new media technologies are changing the way how individuals consume television (Tefertiller, 2018; Aldea and Vidales, 2012; Hirsjarvi and Tayie, 2011)

  • Online users are accessing broadcast services through home Internet and/or via mobile devices (Lim, Ri, Egan and Biocca, 2015; Simpson and Greenfield, 2012). This is conspicuous among the youngest demographics, who are increasingly subscribing to online TV channels and video streaming services (Panda and Pandey, 2017)

  • The standard deviations (SD) ranged indicated that there was a narrow spread around the mean

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Summary

Introduction

Relevant academic literature suggests that new media technologies are changing the way how individuals consume television (Tefertiller, 2018; Aldea and Vidales, 2012; Hirsjarvi and Tayie, 2011). Consumers are shifting from linear formats such as real-time TV services that are accessible through satellite / or cable, and subscribing to online streaming services (Spilker, Ask and Hansen, 2020; Sørensen, 2016; Flavián and Gurrea, 2007). Online users are accessing broadcast services through home Internet and/or via mobile devices (Lim, Ri, Egan and Biocca, 2015; Simpson and Greenfield, 2012). This is conspicuous among the youngest demographics, who are increasingly subscribing to online TV channels and video streaming services (Panda and Pandey, 2017)

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