Abstract

This study explores the principles and elements of art inherent in the design and structure of visual masterpiece that metamorphosed into Ẹpa masquerade. The study thus provides further understanding, appreciation for the organisation of the spectacle of Okun-Yoruba Epa masquerade while it promotes the aesthetics. Most often, people tend to appreciate the aesthetic composition and other visual art components (such as sculpture, textile, ceramics and painting) of Epa rooted in Okun-Yoruba Ẹpa masquerade but identification of graphics or visual design on or within traditional art objects or forms seem to be difficult. This study is to broadly examines and unfolds evidence(s) indicating the adaptability and usability of principles of design in the arts of Okun-Yoruba Ẹpa masquerade. However, this paper adopts analytic approach in achieving these goals. Relevant literature, internet and participatory observation processes were adequately used.

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