Understanding Basava: history, hagiography and a modern Kannada drama

Abstract

This paper is a meditation from a religious studies perspective on the twelfth-century Vīraśaiva saint, Basava (c. 1105–68); that is, its primary focus is religious experience rather than literary evaluation or the historicity of the past. By exploring a variety of sources—ancient and modern, fact and fiction—and by making connections with urgent twentieth-century concerns, it seeks to bring into focus the religious aspirations and social implications of Basava's world. Part 1 is derived from history and hagiography. It provides an outline of Vīraśaiva belief and practice, and then proceeds to discuss the religious context of twelfth-century Karnataka, the debate regarding the origins of this ‘new’ religion, and a key inscription in the debate. It ends with a summary of the tradition's account of Basava's life. Part 2 focuses on a play written in Kannada (Taledaṇḍa, ‘Death by beheading’, 1990) and then rewritten in English for a pan-Indian and international audience (Talé-Daṇḍa: a play, 1993), in both cases by Girish Karnad. Karnad is not the first playwright to focus on Basava, and he will not be the last. In the preface to the Kannada version, he explains that ‘it becomes inevitable for every Kannadiga to return, like a tongue that returns again and again to a painful tooth, to the victories and agonies of that period.’ Karnad's dramatization of Basava's catastrophic final year is discussed in the context of the historical and hagiographical material considered in Part 1.