Abstract
Under the sign of playing: C. M. Weber’s Piano Quartet
Highlights
A play principle is one of the essential properties of the artistic worldview and creative thinking of C
The play principle is manifested at all levels of the text of Weber’s work: genre, compositional, dramatic, thematic
This assumption is corroborated by the nature of the dramatic logic of the Piano Quartet cycle, where in each part the listener something unusual, captivating and witty lies in wait
Summary
A play principle is one of the essential properties of the artistic worldview and creative thinking of C. Declaring itself in works of different genres, it takes on many different shades, speaking in the form of comic, ironic, characteristic and carnival. In the instrumental opuses by the composer, the play aspect appears in complex of texture, articulation, intonation and thematic, dynamic and formative techniques that lead to immediate visual and theatrical associations. Expression of play principles in this genre sphere can be considered, on the one hand, as various types of ensemble dialogue, and on the other hand, as virtuosity, producing aesthetic pleasure and sincere joy. The Piano Quartet by the composer, a typical example of the instrumental and play beginnings in the work by C. M. Weber, is a part of repertoires of many ensembles, but it has not yet become an object of serious scientific interest
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