Abstract

Stowe’s deployments of bibles and artistic representations of them in illustrated editions offered a conservative abolitionism that emphasized the potential for peace among former slaves and masters. . . . bibles in the afterlives of Uncle Tom’s Cabin continued to offer moderation when it came to issues of race and racial interactions.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call