Abstract

In El beso de la mujer araña, Manuel Puig encourages a “tercera lectura,” informed by both cinema and literature. He creates a cinematic language reinforced by the spirit of “synthesis” and then incorporates a conceptual discourse which is beyond cinema because of the “límites de atención” of a “lector cinematográfico.” Puig expects readers to draw their own conclusions about the themes which emerge. I argue here that both the themes and aesthetic of the novel can be read as a challenge to the form and content of a literary and filmic “cult of virility.”

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.