Una mujer desnuda, de Lola Beccaria: Espacios y escrituras del cuerpo

Abstract

This article discusses the applicability of postfeminist discourse to contemporary Spanish cultural production. Incited by the apparent confrontation with traditional feminist thinking, postfeminist theories are thought to be an obstacle to the rights of women in contemporary societies. Bearing in mind such complications of the term, our essay questions the recent criticism that postfeminism has received in the last few years and tries to elucidate how its implications affect the progressive development of the achievements of previous or simultaneous feminisms. Such discussion is presented in this essay through the study of the narrative texts of Lola Beccaria and La Fura dels Baus, who respectively present in her novel (Una mujer desnuda, 2004) and their film (Fausto 5.0, 2001) features of the feminine subjectivity in collision with the masculine gazes of the discourses that partake in the construction of the feminine characters.