Abstract
By a comparable process, Ovid’s exilic texts and Heroides were lately subjected to rehabilitation with regard to their poetic values. Heroides, Tristia and Epistulae ex Ponto then knew a similar process in their reception. Beyond the references to canonical texts that criticism detected in these literary works, it would also be interesting to deep which kind of connection links these ovidian texts and up to what point such filiations could bring a new light on their reading. The particular consideration of Heroide 13 in autotextual relation with the last ovidian writing, especially that of Tristia, will allow us to open, in the perspective of a constant tension between illusion and reality, to new approaches concerning ovidian poetics as a whole.
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