Abstract
The manuscript I talk about in this paper – Mihail Sebastianʼs diary from 1930 to 1931 – has been “hidden” in sight for nearly 40 years, in a public library from the cultural center of the country. I insist upon the unpublished content of this notebook, which I show and contextualize. I also discuss the importance of the manuscript, giving some significant details about the appearance of the notebook that housed the novel diary of the The Town with Acacia Trees, a diary kept by Sebastian during his time in Paris (1930-1931). The discovery of this unpublished notebook is per se a turning point for Sebastian’s exegetes.
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