Abstract
Localization of an unknown feuilleton by Manuel Ibo Alfaro (1828- 1885). Incorporation of this work to its author’s bibliographic catalog. Its edition in "El Museo Universal" (1865). Analysis of the work. The literary genre: Romantic “costumbrismo”, Marian feuilleton and the precedents of Christian Naturalism. Structure and contents: aspects of traditional life in Nieva de Cameros (La Rioja) between 1834-1838, history and references to the First Carlist War, tricked peasants and farce-like structure, parody of social dialects, the praise of village life, nature and its aspects, proposal of a model of feminine virtue based on purity and charity, feuilleton’s exemplarity and ideological propaganda.
Highlights
Localization of an unknown feuilleton by Manuel Ibo Alfaro (18281885)
Between 1834-1838, history and references to the First Carlist War, tricked peasants and farce-like structure, parody of social dialects, the praise of village life, nature and its aspects, proposal of a model of feminine virtue based on purity and charity, feuilleton’s exemplarity and ideological propaganda
Bajo título estricto de La Virgen de la Pradera, el autor dispone una estructura externa de cuatro partes específicas, que denomina, por este orden, “Invocación”, “Primera parte”, “Segunda parte” y “Conclusión”
Summary
Al costumbrismo pertenecen de lleno cuentos diversos del referido Antonio Trueba (entre ellos, “El tío Miserias”), de Eduardo Bustillo o de Carlos Rubio, los “proverbios ejemplares” de Ventura Ruiz Aguilera, la serie de “cuadros contemporáneos” (El dios de la moda, La solterona, El viejo verde, Los maridos) de Juan Antonio Almela, “Las tertulias de café” de Roberto Robert, las “escenas y paisajes de Galicia” (el jato, la corredoira) de Fernando Fulgosio, ilustraciones variadas sobre costumbres de Aragón, como el tiro de barra, la pastora o el pregonero, “El Monasterio de Piedra y sus cu-. De aceptarse mi hipótesis sobre la fuente de la leyenda becqueriana de “La cueva de la mora” (Bravo Vega, 1998), publicada el 16 de enero de 1863 en la sección de “Variedades” de El Contemporáneo, la relación entre Bécquer e Ibo Alfaro mostraría aquí nuevos espacios de intersección, vinculados a las publicaciones periódicas
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