Abstract
This essay proposes a queer approach to Jean Genet’s “Un chant d’amour”, as a film that presents methodological tools to rethink the ways in which we relate with power structures, the built, and the morethan- human, through concepts that are proposed by José Esteban Muñoz and Jack Halberstam, in regards of queer theory.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.