Abstract
This paper aims to analyze the dichotomy between the filmed (live-action) and animated images: the daily and night aspects of the images proposed by Gilbert Durand. This look comes from a study on real and animated images, presented in the doctoral thesis “The Representation of the Diegetic Imaginarium by Animation in Live-action Cinema” (2018). In this thesis, based on the concepts of “cool and hot media” from “Understanding Media” (McLuhan, 1964), one considers Animation a Cool medium, while live-action a Hot medium. Therefore, as McLuhan’s work looks at the image dichotomy from the communication domain, it is possible to complete the analysis on this axis through the concepts of Durand’s image. Thus, these concepts start directly from the imaginary studies. The methodology for such an analytical development is the case studies about films that use animated images to represent a part of their narratives. Analyzing them, considering these images by both aspects: in the field of communication (Hot and Cool Media), and the imaginary (daily and night aspect of the image). These analyses are a complementary look to the one presented in the thesis, along with they offer a double look to the study of the Audiovisual image.
Highlights
This paper aims to analyze the dichotomy between the filmed and animated images: the daily and night aspects of the images proposed by Gilbert Durand
Foram considerados os conceitos de Marshall McLuhan (2001) “Cool and Hot Media”, apresentado a Animação como sendo um meio Cool e o live-action como um meio Hot
USA: Michael De Luca Productions et al DVD
Summary
Com o objetivo de apresentar o estudo proposto, faz-se necessário uma explanação de facto sobre as interligações entre, imagem animada + cool media + Regime noturno, e imagem filmada + hot media + Regime diurno. O que é apresentado em um estudo de casos de três obras dos audiovisuais, em live-action, que utilizam animações para representar momentos do imaginarium diegético de suas narrativas. Uma em cada um dos “tipos” de animação: desenho animado, stop motion e 3D. - Annie Hall (Woody Allen 1977): longa-metragem estadunidense (comédia/romance) que utiliza desenho animado, ao representar o pensamento / a fantasia de Alvy Singer (Woody Allen). - The Beach (Danny Boyle 2000): longa-metragem anglo-estadunidense (drama / aventura) que apresenta um momento de delírio da história, representado através de animação 3D digital. - The Fall (Tarsem Singh 2006): longa-metragem anglo-estadunidense (drama/fantasia) que apresenta um momento de sonho da história, representado através de animação em stop motion dos irmãos Lauenstein
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