Abstract
The sheer diversity of Ultima events goes a great way towards explaining Oslo's creative impetus and influence within Northern Europe: the sense of play is tangible in deft, brave and astute programming. With the extension of Lars Petter Hagen's Ultima Festival directorship, taking a risk is still promoted, and very necessary in cultivating the talent and ideas we now expect from and associate with the music scene of Oslo. Ultima 2015, which I attended from 12 to 16 September, did not fail to deliver, provoking and poking at every twist and turn.
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