Abstract

In this article, for the first time in musicology, a classification of the types and forms of energy that exist in music is given. The latter are not indicated in the musical text, but are hidden in the energetic composition of the musical work and reveal themselves in the text of the musician-performer who re-creates the musical work, recreating the primary fire that gave it birth.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call