Abstract

August Wilson’s play, Two Trains Running is the seventh play of his Century Cycle which chronicles black people’s experiences in American society. Since the structure and dynamics of each society are distinctive, the experiences of individuals belonging to that society are naturally shaped by these factors. The complicated relationship between societal norms, values, and power structures play a pivotal role in shaping the individual and collective experiences in society. In that respect, the social practices of black people in American society are notably outstanding as they have been subjected to slavery and segregation through systematic racism. Ideologically, racism has been used as a strategic tool to control the black people, who were pushed out of social boundaries because of their skin color and to sustain the white dominance for economic and politic reasons. Significantly, black authors have tried to be the voice of the oppressed black people on the literary arena and considered the theater as a way of resistance. Based on the societal awareness aroused by black authors, this study analyzes the struggle of black people in Wilson’s Two Trains Running. Drawing attention to the significant fact that black people are the members of the white society with their loyalty to their own cultural values and their African-American identity, Wilson is an antiracist playwright. Relatedly, the central focus of this study is the ways of coping with the unequal, unfair and discriminative practices of the white supremacy.

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