Abstract
A close examination of Monteverdi's problematic settings of two texts, "Zefiro torna, e di soavi accenti" (1632) and "Su, su, su pastorelli vezzosi" (1638, 1651), raises significant issues concerning his poetic sensitivities and also the status of his literary and musical sources. This further calls into question the modern reception of his agenda for the so called seconda pratica, for all its role as an integral part of the stories conventionally told of the composer.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.