Abstract
AbstractThe German composer Michael Maierhof took a curious and unusual path to becoming a professional composer, performer and concert organiser, one that gives him a unique perspective on the German art music scene. This interview with Maierhof took place on 17 January 2020 in Maierhof's apartment in Hamburg, Germany and forms part of my research into the artistic and socio-economic motivations that composers and artistic directors employ when utilizing a conductor. The interview explores his personal history, compositional techniques, and perspective on the course of contemporary musical history before going on to consider his views on conductor's responsibilities and their role in contemporary music.
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