Abstract
In the general introduction to this contributed volume of selected conference proceedings, the title ‘The Art of Law’ is explained, particularly by situating the Bruges interdisciplinary conference in the ‘Arts and Humanities’ movement. A short overview of the status quaestionis of historical legal iconology is given, and suggestions are made on how art historians and legal historians can collaborate in a field of research that is very attractive for both disciplines. This introductory paper also identifies some methodological and material links between the various contributions to the volume.
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