Abstract

The reflection of the homeland, the Lithuanian nation, the native land is very important in Antanas Vaičiulaitis’ creative work and personal correspondence. Letters, written 1924–1992 reveal a creative being, closely related to the formation of the image of Lithuania, its embodiment and the preservation of the memory of the motherland. The image of the homeland is often conveyed by the symbolism of a lost paradise, accompanied by the feelings of a tragic denouement. The construct of homeland as a paradise began to emerge in the writer’s early childhood, in letters it is portrayed as a mythical Eden. Through the mother, the space of home and the nature surrounding it, the metaphor of the motherland-fortress was formed. By comparing the homeland with his beloved mother, Antanas Vaičiulaitis conveyed the great pain, caused by the Lithuanian occupation. The letters’ image of homeland-paradise is associated with the ideals of patriotism, holiness of childhood and family, faith and also motives of loss and return, conveyed by the symbols of the tree and the bird. In the writer’s correspondence, through the personal context, complex emotional states reveal the cultural memory of the nation.

Highlights

  • Tėvynės vaizdinys Antano Vaičiulaičio laiškuose related to the formation of the image of Lithuania, its embodiment and the preservation of the memory of the motherland

  • The image of the homeland is often conveyed by the symbolism of a lost paradise, accompanied by the feelings of a tragic denouement

  • The construct of homeland as a paradise began to emerge in the writer’s early childhood, in letters it is portrayed as a mythical Eden

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Summary

Introduction

Akcentuotina, kad tėvynės, tautos, gimtojo krašto, šeimos vaizdiniai autoriaus egodokumentikoje literatūros tyrėjų išskiriami kaip svarbūs, tačiau panagrinėti tik kontekstiškai. Jie buvo itin artimi – laiškuose dalijasi ne tik nuoširdžiomis kasdienėmis detalėmis, kūrybinėmis mintimis, bet ir prisiminimais apie Lietuvą, jos žmones. Vaičiulaičio laiškų aiškėja, kad jo tėvynės kaip rojaus konstruktas ėmė kurtis vaikystėje.

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