Abstract
Immediately after the end of the Second World War, the Austrian writer Ilse Aichinger, herself a survivor of the Holocaust, conveys both individual and collective trauma by using child protagonists as bearers of âºThe Greater Hopeâ¹ in her novel of that title (1948). More than half a century later, the British artist Ruth Rix, the only daughter of Ilseâs twin sister Helga, who found refuge in England as part of the Kindertransport, re-collects the fragments of her familyâs memory. This article investigates the perspective of âbeing a childâ as a condition for the transference of memory.
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