Abstract
This research paper delves into the contrasting interpretations of the muse by Mary Wollstonecraft and William Wordsworth, as evidenced in their seminal works A Vindication of the Rights of Woman and the Preface to Lyrical Ballads, respectively. The paper critically evaluates how each interpretation shapes contrasting truths about the production and consumption of literature. Wollstonecraft, advocating for reason as her muse, challenges societal norms and seeks to empower women through education. In contrast, Wordsworth embraces feeling as his muse, aiming to directly communicate with the heart of his reader. Through a comparative analysis, this paper explores how these distinct muses inform the authors’ approaches to subjects such as education, uniformity, and gender. Furthermore, it examines the Rousseauvian influences on their views, and how each author’s position of power shapes their narrative. Ultimately, it highlights the radical nature of both texts in the democratisation of poetry and the elevation of the female sex.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.