Abstract

Focusing on the hadra ritual of the ‘Issawiya Sufi community, in this article Dia Barghouti explores how the narrative of the Prophet Muhammad's ‘night journey’ is performed within the Tunisian socio-cultural context. Drawing on the philosophical writings of the twelfth-century Sufi saint Muhyidin Ibn ‘Arabi, the author examines how re-enacting narratives of transcendence, and particularly of myths associated with the patron saint of the order, Sidi Ben-’Issa, allows members of the ‘Issawiya community to explore the ontological principles of Sufi cosmology by experiencing them directly in the body. Dia Barghouti is a playwright and PhD candidate in the Department of Theatre and Performance at Goldsmiths, University of London. Her plays have been performed at Ashtar Theatre and the Khalil Sakakini Cultural Center in Ramallah in Palestine.

Full Text
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