Abstract
This article describes the idea and method of ‘tuning-in’ as a component of environmental arts practice, developed during my participation in the Landscape Quartet research project. It describes how such an approach includes awareness of the different senses and kinds of awareness, and how artistic responses to specific spaces and locations can be developed through sound and music. This includes outcomes that range in scope from live performances and/or sound installations on-site, electroacoustic compositions, and audiovisual pieces.
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