Abstract
Figures Acknowledgements Abbreviations Introduction: Trollope in the 1990s Domestic Ideology and Gendered Space in Cornhill Magazine Uncovering Periodical Identities: Good Words and the Rejection of Rachel Ray Launching a Hybrid: The Belton Estate in the Fortnightly Review Transitions: Phineas Finn and Masculinity in Saint Pauls Magazine The Editor as Predator in Saint Pauls Magazine Conclusion: Towards a Cultural Critique of Victorian Periodicals Appendices Bibliography Index
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