Abstract
Abstract Stories and prescriptive statements recorded from participants in Cajun country Mardi Gras, as well as standard scholarly descriptions, insist that complete disguise is essential. However, actual masking practice varies between groups and among members of each group. I reject the claim that the tradition is truly degenerating and interpret statements about disguise as rhetorical moves. These portray Mardi Gras as promoting community cohesion and thus defend it against detractors’ negative characterizations. Alternate masking practices articulate contemporary visions of a changing community and link participants to new audiences not seen as legitimate in older conceptions.
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