Abstract
This article explores contemporary Central American literature dealing with transnationalism in migrant narratives from the region within the framework of testimonio. The transnational elements in literary texts read as testimonio were also present in previous Latin American narratives but were ignored in critical writing about this genre. These elements often included two countries, and involved transmission of, as well as continuous negotiation between, different languages. Moreover, the immediate translation of these texts into English made them available more to an international audience than to the citizens of the countries in which they were mostly set. Taking Odyssey to the North by Mario Bencastro, and The Tattooed Soldier by Hector Tobar as my point of reference, I will argue that these and several other contemporary Central American works of fiction can be read as testimonio. These works, by focusing attention on the repercussions of the civil war in a new context, depict migration to the United States
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