Abstract

This article examines Twitter publics to map how the ‘<i>dadis</i> of Shaheen Bagh’ (grandmothers of Shaheen Bagh) emerged as political subjects through transnational media space even though they themselves did not directly access social media. A team of feminist media researchers examine how social media networks were mobilised strategically to gain international visibility and traction. Through a feminist close reading of Twitter data and a select few in-depth and unstructured interviews with various associated actors, this mediated visibility of seemingly subaltern women is mapped. This article draws on transnational/postcolonial feminist frameworks to examine digital public presences. This study uses a multi-methods approach that includes qualitative interviews with activists (local and transnational) and related actors as well as a situated feminist data analytics and critical digital humanities approach to examining big social data online. In examining the mediated production of this visibility, however, the study does not wish to imply that the women whose presence is amplified in international media are not actual protestors or to deny, discount or appropriate their agency or labour as activists.

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