Abstract
This paper explores the ‘crossing of border lines’ between the textual traditions of the Jainas (oral and written) and the corresponding representations in works of art, serving also as a kind of introduction to Jaina art and its idioms for a broader public. It concentrates on three stages of pictorial representation of most eminent Jinas: it touches upon images that are possibly pre-textual (starting with sculptures from Mathurā dating back to the first centuries AD), proceeds to more narrative illustrations found in manuscripts of Bhadrabāhu’s Kalpasūtra, and concludes with a more recent specimen of the depiction of Jinas in miniature painting, as presented in a rather late illuminated version of the Bhūpālastotra, a text praising the 24 Jinas, which shows the efforts made to translate parts of the eulogies into the visual medium.
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