Transitions That Count: Josefina Molina

Abstract

This article deals with an aspect of the neglect that the work experiences of and films made by women have been subject to in Spanish historiography on cinema. It focuses on Josefina Molina's neglect despite the fact that one of her works could be considered a key text of the Transition. This analysis provides a partial critique of canon-making, an exercise that should be questioned and never taken for granted.