Abstract

This article supports the belief that transnational and glocal mechanisms have drastically affected identity and memory formation processes; thus, very diverse memories regarding complex episodes of migration or trauma are currently regarded as connected through multidirectional and cross-cultural patterns. Drawing on the fields of Trauma and Memory Studies, which consider the therapeutic role of art to represent and abreact troubled individual and collective experiences, the new hybrid identities born from this exchange and relationality have proved to demand new forms of representation. In particular, numerous groups of transitional women have recently fostered transnational engagements of womanhood through their creative works. Thus, some contemporary examples will be provided to show how art can be an empowering tool for contemporary transitional women to acquire a voice as well as a promoter of empathy for the modern glocal subject.

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