Abstract

This research makes a new contribution to alcohol policy practice and theory by demonstrating that transgression of officially sanctioned norms and values is a key component of the sub- and counter cultural drinking practices of some groups of young consumers. Therefore, policy messages that proscribe these drinking practices with moral force are likely to be subverted and rendered counter-productive. The qualitative analysis draws on critical geography and literary theories of the carnivalesque to delineate three categories of transgression: transgressions of space and place, transgressions of the body, and transgressions of the social order. Implications for alcohol policy are discussed.

Highlights

  • Mass consumption is often identified with conformity, yet transgression plays an important role in consumer motivation (Desmond, McDonagh, & O'Donohoe, 2000; Heath & Potter, 2005)

  • Excessive drinking is normalised amongst some groups in many Western economies, yet, as the data show, in some cultural contexts alcohol is seen to offer a powerful route into a liminal world of transgressive intensity

  • Transgression can be understood as a necessary part of social relations (Jenks, 2003), and health policy, as well as alcohol marketing and other discourses around alcohol, are constitutive (Moore & Measham, 2012) of those relations

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Summary

Introduction

Mass consumption is often identified with conformity, yet transgression plays an important role in consumer motivation (Desmond, McDonagh, & O'Donohoe, 2000; Heath & Potter, 2005). Advertising and marketing offer discursive resources for the production of consumer identities through creative or adaptive consumption (Firat & Venkatesh, 1995; Holt, 1995). Marketers are astute in exploiting the transgressive dynamics of some consumer groups, by tapping into sub-cultural and counter-cultural consumer movements (Frank, 1997). Marketers seek to co-opt sub- and counter-cultural consumer practices by structuring them ideologically (Thompson & Coskuner‐ Balli, 2007). Many new branded alcohol drinks were promoted in the UK in the 1980s as if they had implied psycho-active properties at a time when the government was intensifying the policing of the illegal and drug-infused rave culture (Measham, 2004; Measham & Brain, 2005), tapping into an element of sub-cultural capital

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