Abstract
Literature, also created with children in mind, to quote Kazimierz Brodziński, is a mirror of the age and the nation. Reacting to the change of cultural paradigm, it opens the borders, meets the current needs of the audience, adapts its repertoire to their interests and new narrative practices. Contemporary technological ubiquity generates an asymmetry of semiotic matter and communicative context, which realizes displacements in the area triad: culture-literature-media, thus triggering transgressions in literary texts. The questioning of the conventions of writing and printing causes modifications in the architectural structure of readings, which become on-linear, use the language of old and new media, and follow the example of audiovisual productions. The article highlights some of the transformations taking place in literature aimed at the on-adult reader in times of a culture that is changing anthropologically in spectacular and audiovisual way.
Highlights
Contemporary technological ubiquity generates an asymmetry of semiotic matter
The article highlights some of the transformations taking place in literature aimed at the on-adult reader
Dokonując ponadto głębokich przeobrażeń wewnątrztekstowych, a tym samym powołując do życia utwory o rodowodzie technologicznym i hybrydowej semiotyce, najnowsza literatura nie tylko koresponduje z kulturą, ale jak przekonuje Andrzej Skrendo, „od czasu przewrotu romantycznego żywi się przekraczaniem granic” (Skrendo, 2002)
Summary
Czytamy je u wybitnych przedstawicieli różnorodnych dyscyplin naukowych, jak choćby u socjolożki Margaret Archer, która w jednej z ważniejszych prac na temat kultury: Kultura i sprawczość. [...] Kultura to coś, co posiada każdy z nas i nie sprowadza się ona tylko do Mozarta czy Milesa Davisa. Kultura bowiem nie jest własnością dryfującą, w której posiadanie wchodzi się poprzez inkorporację
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