Abstract
The book is an attempt to answer questions about the changes in the landscape of contemporary visual culture - how information techniques and technologies, and new digital media affect the form and functions of technical images - and in particular the medium of photography, the author's status and applied artistic strategies. The aim of this book is to present the issues related to the evolution of the form and content of a technical image, assuming that digital technologies cause revolutionary transformations in the media space of optical-mechanical imaging, in the way the world is perceived and in the way of participating in contemporary visual culture.
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