Transformation of farcical representations in the absence of physical space and a specific location.

Abstract

The subject of the study is the transformation of farcical performances and carnival culture in the absence of a physical location and their transfer to the Internet environment. The object of research is the farcical art of display, Internet video content, carnival culture. In this article, through the culturological prism of research, such a kind of display art as a farce is studied and analyzed. This visual art has had the greatest popularity among the audience of ordinary people, that is, the most numerous, throughout the entire time that theatrical creativity has existed. However, recently it is difficult to find something like this in the areal spaces and exteriors of cities, since the main audience attention has shifted to the Internet space. The main conclusions of the study are the following theses: -the farce has reincarnated in the Internet space as a kind of special entertainment video content -carnival has reincarnated as a way of communication within the Internet environment -the farce art also continues to have the function of moral discharge of viewers -The existence of the farce in virtual space deprives its sacred significance for the viewer, because of the loss of real and meaningful space, as well as because of the main goal - the vivid emotions of the crowd. A special contribution of the author to the research of the topic is an expanded bibliography, including 5 foreign sources. The novelty of the research lies in the fact that the described situation in the Internet space related to screen culture has acquired its current form only in the last 10-15 years, respectively, research on this topic is usually quite new.