Transformation And Reactivation: The Research Of YuGur Women’s Clothing Under The Digital Media Ecology

Zhang Zhi Teng,N Hamid,S Zhou

doi:10.1051/e3sconf/202018903012

Abstract

National Culture is always embedded with specific space, which supports the field value of cultural. The evolution of minority culture has always been tightly around the specific regional space. The costumes of southern Yugur nationality in GanSu province have always been the most obvious symbol of their culture in the history of their development. In recent years, with the continuous evolution of the mode of spread, especially the digital media-based media ecological intervention in daily life, so that our traditional perception of the habit has quietly shifted. It is urgent to find a new way for the dissemination and re-activation of Yugur people costume culture in southern Yugur nationality in GanSu province under the digital media ecology. Focusing on the dilemma, transformation of Yugur people costume culture with VR take it re-activation, trying to find a new way to the costume culture of Sunan Yugur People in Gansu Province under the digital media ecology, making theoretical expiorations.

Highlights

Mirtsov, in ‘the reader of Visual Culture’, cites Paul's definition of photography, arguing that photography ownself carries a dialectical logic
In ‘the reader of Visual Culture’, cites Paul's definition of photography, arguing that photography ownself carries a dialectical logic. This dialectical logic in series the past and the present in a circular narrative. From this point of view, we can see that the development of national costume, and find it in this dialectical logic, but we pay more attention to its display as a cultural fossil
The paper relies on virtual reality (VR) simulation technology as the realization medium, through multi-dimensional information collection and digital display, changes people's appreciation form of Yugur women's clothing, through the transformation of digital media to create a sense of immersion and interactive experience, in order to sort out the deep-seated cultural significance of the evolution process, to achieve the digital protection function, and more likely to expand the national culture of Innovative Heritage Vision

Summary

Introduction

In ‘the reader of Visual Culture’, cites Paul's definition of photography, arguing that photography ownself carries a dialectical logic. The paper relies on VR simulation technology as the realization medium, through multi-dimensional information collection and digital display, changes people's appreciation form of Yugur women's clothing, through the transformation of digital media to create a sense of immersion and interactive experience, in order to sort out the deep-seated cultural significance of the evolution process, to achieve the digital protection function, and more likely to expand the national culture of Innovative Heritage Vision. " [2]VR technology has changed the way that people appreciated Yugur people clothing, the immersion and interactive experience created by virtual simulation, makes the inheritance of the national culture not limited by time and space, and a assist and supplement to the traditional protection mode which is the core of passing on the population for hand-to-hand. Rather than calling the viewer a receiver, we might as well call it a user

Development of apparel VR display system

Conclusion

Notes: