TRANSFIGURATION OF THE REPRESENTATION OF ART

Abstract

The article is devoted to the current situation in the art world, due to the COVID-19 pandemic and its consequences. Humanity has found itself in a new world of limitation and isolation. Art cannot be displayed in classic exhibition format. Recently, it seemed that the philosophy of art space is an exhibition format. art exhibitions, galleries, museums of classical and modern art, provided a global connection between various representatives of humanity. This was the unifying language of society. Art found itself in a pandemic situation. Art, as a means of communication, responds to an environment that is changing. The space in which art will be represented must also change. This problem requires philosophical reflection and analysis of issues: How can art be represented? The article discusses how the interaction of the viewer and the art-object. It is analyzed whether physical space is important for the interaction of the viewer and the object of art. The article concludes that art is not a place, but a moment. The moment creates discourse. Art in a situation of isolation and pandemic remains the language of communication. contemporary art has a social context. It is a tool for understanding the sociocultural reality of a pandemic and isolation. Our analysis of the situation shows that in the present situation, the spectator no longer a passive observer. It is directly interpreter path art, embodies and represents the art. It does not create a copy; it provides original new content. The article concludes that contemporary art is simultaneously connected and not connected with the place. Art is treated as the embodiment of discourse. Art is a new language that has a social context. Art is a tool of cognition of sociocultural reality. We understand art as a complex text.