Transcultural, Transnational Histories: A Response to Stefano Bianchini’s Liquid Nationalisms and State Partitions in Europe

Abstract

Stefano Bianchini’s comprehensive work Liquid Nationalisms focuses on the frequent redrawing of state borders, especially in Eastern Europe, the fluidity of the contours of nations, and the vagaries and idiosyncratic nature of political changes in the European continent from the 19th to the 21st centuries. The title of this work takes its inspiration from Zygmunt Bauman’s famous work, Liquid Modernity (2000). Bauman’s work, which was published in 2000 in the aftermath of the dissolution of the Soviet Union and also Yugoslavia that resulted in the Balkan wars of the 1990s, first posits the obvious – that fluids cannot hold their shape as solids do because the structural arrangements of solids, unlike liquids, bind their atoms together. Bauman characterizes solidity as having hardened contours and belonging to a pre-modernity with its unchanging or slowly changing social, political, and economic mores. Modernity, on the other hand, is likened to liquids in that, like time, there is a fluidity and a fast-moving quality associated with it brought about by the European Enlightenment and the development of democracy and capitalism. As he states, “When describing solids, one may ignore time altogether; in describing fluids, to leave time out of account would be a grievous mistake. Descriptions of fluids are all snapshots, and they need a date at the bottom of the picture” (2). The lightness of touch, the quickness of response to changing times that liquid modernity promised, he points out, has resulted in postmodernity or late capitalism as “deregulation, liberalization, ‘flexibilization’, increased fluidity, unbridling the financial, real estate and labor markets, easing the tax burden, etc.” (5).