Abstract
In seeking a path to mediating feminist and anti-feminist narratives, one must begin with a framework of the method of narrative analysis being used. Using the works of such thinkers as Paul Ricoeur and Richard Kearney, I argue that human self-understanding and therefore sense of identity is narrative dependent. While this idea has its critics, in the framework of the central question of this essay narrative theory is a particularly productive tool. The story that I tell that gives me identity is not only a story about the surface. It is embedded in my being. I do not simply have a story, I am a story and create my world through that story. Narrative is a part of the ontological structure of being human and the ontic experience of being in the world. One narrates one’s life not in the sense of a movie voiceover, but rather as a reflective and reflexive understanding of oneself. Kearney’s work in Anatheism is particularly useful for this discussion. While Kearney’s interest is in the dialectical move from theism to atheism to a synthesis that is an atheist-informed theism, one can see the same trajectory at work in feminism and anti-feminism. If one begins with patriarchy and moves to feminism, the next step becomes anti-feminism informed by feminism. However, there is still room for an additional dialectical move, to regain a feminism that invites in its detractors and reshapes the collective narratives that impact how we interact with each other in community.
Highlights
In seeking a path to mediating feminist and anti-feminist narratives, one must begin with a framework of the method of narrative analysis being used
While Kearney’s interest is in the dialectical move from theism to atheism to a synthesis that is an atheist-informed theism, one can see the same trajectory at work in feminism and anti-feminism
If one begins with patriarchy and moves to feminism, the step becomes anti-feminism informed by feminism
Summary
In seeking a path to mediating feminist and anti-feminist narratives, one must begin with a framework of the method of narrative analysis being used. The contextual narrative shows us that we do and do not know ourselves because we are and are not a unified self It is because of the multiplicity of our narratives that one can see oneself as a whole and consistent person while holding conflicting interpretations of the world, for example, that women are equal to men and at the same time marginalize the accomplishments of the women one works with. The transcontextual narrative can become a part of the matrix of each individual’s narratives that shape their identity Such a notion is highly idealistic, but the ideal is possible within real human experience, as will be seen in some of the mediating options explored in this essay. The goal of this essay is to try to create the conditions for performative narratives of reconciliation without requiring a tragedy first
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