Abstract

In this senior thesis, I seek to explore the meaning of the mist and the stars in Charles Dickens's Great Expectations. I argue that through observation of the mist and the stars as an entrance point to the text, we as readers are able to expand our discussion of the text to incorporate other fundamental aspects of the story. I open with a contextualization of the mist and the stars in Dickens’ previous works, including Bleak House, Oliver Twist, and Sketches by Boz. I argue that the mist stands as a symbol for Pip’s uncertainty about the future and his place in the world, while the stars represent an inaccessible though alluring clarity and transparency. The mist stands as an obstructing force, and the rising of the mist connotes moments of growth and maturation for Pip. The stars act as the cosmic opposition to the mist, and they are synonymous with Pip’s elusive love interest, Estella. Through a reading of the mist and the stars, we gain a deeper connection to the nuances and foundational themes of Great Expectations.

Highlights

  • Mist lies in soft quilts over the nighttime marsh landscape

  • The reader has been transported to the English countryside: that of the novel Great Expectations by Charles Dickens

  • In our two lovers we see the duality of earth and sky, ground and heavens: an incorporation of the natural world into their personas that will be further explored

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Summary

Introduction

Mist lies in soft quilts over the nighttime marsh landscape. The metallic and salty air is still—so still, that the air nearly vibrates with an empty resonance. In the context of Great Expectations, we will go on to see the way in which opposition to and overlap between the stars and mist comes to represent opposing and overlapping themes in the book such as travel and home and the relationship between Pip and Estella.

Results
Conclusion
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