Abstract
ABSTRACT Gender-focused studies of nineteenth-century French literature and history in the last few decades have often relied on heteronormative and gender normative paradigms. Using Rachilde as an example, I demonstrate how trans studies can offer tools through which to recover the gender-creative past. These tools are meant to work in concert with feminist and queer theories, while centering gender in a broad sense by focusing on challenges to the gender binary, modes of gender expression, attention to the material body, and a felt sense of gender.
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