Abstract

This article discusses the Hijra community from South Asia, and examines their rituals and performance culture to argue that there is a multiplicity of expressions for gender identities in South Asia, and they have been performed in a variety of ways, in a variety of spaces beyond the political rhetoric of the West. The paper also tries to discuss questions and difficulties around situating these cultures within an already established concept and the possible negotiations that would be needed for such an effort to even be imagined.

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