Abstract

This article interrogates the role of tragedy within the work of International Relations theorists including Michael Dillon, Mervyn Frost, Richard Ned Lebow and Hans Morgenthau. It argues that a tragic sensibility is a constituent part of much thinking about politics and the international, and asks what the reasons for this preoccupation might be. Noting that a number of diverse theoretical appeals to tragedy in International Relations invoke analytically similar understandings of tragic-political subjectivity, the article problematises these by building on Michel Foucault’s intermittent concern with the genre in his Collège de France lecture series. It proposes that a genealogical consideration of tragedy enables an alertness to its political associations and implications that asks questions of the way in which it is commonly conceived within the discipline. The article concludes by suggesting that International Relations theorists seeking to invoke tragedy must think carefully about the ontological, epistemological, ethical and political claims associated with such a move.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.