Abstract
The community-based popular theatre movement began in Cuba about ten years after the triumph of the revolution, but its main pioneers, the founders of the Cabildo de Santiago and Teatro Escambray, were professionals with considerable experience in virtually every style and experimental form of theatre. This article concentrates on the most dynamic period of the Cuban ‘nuevo teatro’, the 1970s, when the Cabildo and Teatro Escambray emerged as internationally recognized models of popular theatre and as valuable sources for research into Cuban cultural tradition and revolutionary transformation.
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