Abstract
The cultural attitude of Eugen Negrici is generally perceived as innovative, defeatist, trailblazing. Getting rid of the methodological practices from the time of communism appears as emancipation from the literary pool marred by an outdated literary ideology and implies reaching a new attitude, a deconstructive, negative, polemical one. His perspective appears as one of unprecedented freshness, containing a sanitizing breath in the context of finding an unfrequented or less frequented path. Despite these aspirations and implicit intentions, in the position of a practitioner and not an ideologue, Professor Negrici uses a purely traditionalist methodological tool and shares in content the same middle path of a well-tempered conservatism.
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