Abstract
The author traces three stages in the development of his system for making art and the influence of scientific ideas on that system. He begins with performance artwork, explores painting as a record of process, investigates the impact of pattern and color on perception, and then moves to the use of geometric patterns. Alpert examines the two spheres of meaning expressed in his performance artwork: one based in a humanistic outlook, the other in scientific ideas and terminology. The process used to make the performance-inspired paintings is described as the simple action of shaking paint in a box, further elaborated into a scheme for the production of visual images.
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