Abstract
This essay analyzes the video essays of Ursula Biemann, which focus on the relations between globalized production processes, the exploitation of women's bodies, and the sexualization of female labor. Showing the interrelation of the flows of transnational economies and information and communication technologies (ICTs) with the performances of gender and space, these video essays work as feminist cartographies. Deploying the video essay format, Biemann creates figurations to delineate an alternative system of navigation. Visual language and visualization technologies become a political instrument to counter women's invisibility behind the displacing and abstracting effects of technoscapes.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
