Abstract
[First paragraph] Lying in the Russian State Archive of Literature and Arts in Moscow (RGALI) is a nine-page document entitled Programme of Biomechanics, Meyerhold Workshop (1922). Though modest in size, it is an unashamedly ambitious programme, which sought to redefine acting in a post-revolutionary context and to place performer training in Russia on a par with science. ‘The task of the biomechanical laboratory is to work out through experimentation a biomechanical system of acting and of actor’s training’ (Hoover 1974: 314), the document claims, setting out a dedicated model of Practice as Research, seventy years before the term became common place in the UK.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
